Entertainment
Adekunle Gold Honoured with Street Named After Him in Lagos
Afrobeats star Adekunle Gold has a street named after him in Lagos in recognition of his musical achievements and cultural impact across Nigeria
In a proud moment for Nigerian music and culture, Afrobeats sensation Adekunle Gold has been honoured with a street named after him in Lagos, the city where he was born and raised.
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The newly renamed “Adekunle Kosoko Street” commemorates his influence on the country’s music scene and broader cultural landscape.
Taking to social media to express his gratitude, the singer wrote:
“Adekunle Kosoko Street. The city that raised me now carries my name. Thank you Lord for my many blessings.”
This lasting tribute comes on the heels of the successful release of his latest album, “FUJI,”which has received widespread acclaim for its fusion of contemporary Afrobeats with traditional Nigerian sounds.
The project has further cemented Adekunle Gold’s place as one of the most innovative and soulful voices in the genre.
Born Adekunle Almoruf Kosoko on January 28, 1987, the award-winning singer, songwriter, and performer has carved out a decade-long career defined by creativity, consistency, and growth.
From his early days blending highlife and pop to his evolution into a global Afrobeats force, Adekunle Gold has remained true to his unique sound and storytelling style.
His music frequently touches on themes of love, relationships, and social consciousness, resonating with fans far beyond Nigeria’s borders.
With collaborations spanning both local and international artists, he has become a cultural ambassador of sorts, showcasing the depth and versatility of Nigerian music.
The naming of Adekunle Kosoko Street represents more than just local honour — it signifies the global recognition of Afrobeats as a cultural movement and the power of Nigerian artists to influence the world stage.
Fans and fellow artists alike have praised the move, celebrating it as a well-deserved accolade for a musician who continues to raise the bar.
The news also follows a memorable moment from his recent “FUJI” concert in Lagos, where he shared an emotional on-stage performance with legendary gospel artist Yinka Ayefele, moving fans to tears.
From writing a song for Beyoncé to headlining sold-out shows, Adekunle Gold has remained a trailblazer.
The street renaming is a physical symbol of a legacy that continues to unfold — and a reminder to young Nigerians that global success can begin on local streets.
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As the Afrobeats wave continues to sweep the world, Adekunle Gold’s journey from Lagos to the world remains one of its most inspiring stories.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
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