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Adekunle Gold Honoured with Street Named After Him in Lagos

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Adekunle Gold

Afrobeats star Adekunle Gold has a street named after him in Lagos in recognition of his musical achievements and cultural impact across Nigeria

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In a proud moment for Nigerian music and culture, Afrobeats sensation Adekunle Gold has been honoured with a street named after him in Lagos, the city where he was born and raised.

Also read: ‘Fela & The Kalakuta Queens’ Musical Rekindles Magic at National Theatre

The newly renamed “Adekunle Kosoko Street” commemorates his influence on the country’s music scene and broader cultural landscape.

Taking to social media to express his gratitude, the singer wrote:

“Adekunle Kosoko Street. The city that raised me now carries my name. Thank you Lord for my many blessings.”

This lasting tribute comes on the heels of the successful release of his latest album, “FUJI,”which has received widespread acclaim for its fusion of contemporary Afrobeats with traditional Nigerian sounds.

The project has further cemented Adekunle Gold’s place as one of the most innovative and soulful voices in the genre.

Born Adekunle Almoruf Kosoko on January 28, 1987, the award-winning singer, songwriter, and performer has carved out a decade-long career defined by creativity, consistency, and growth.

From his early days blending highlife and pop to his evolution into a global Afrobeats force, Adekunle Gold has remained true to his unique sound and storytelling style.

His music frequently touches on themes of love, relationships, and social consciousness, resonating with fans far beyond Nigeria’s borders.

With collaborations spanning both local and international artists, he has become a cultural ambassador of sorts, showcasing the depth and versatility of Nigerian music.

The naming of Adekunle Kosoko Street represents more than just local honour — it signifies the global recognition of Afrobeats as a cultural movement and the power of Nigerian artists to influence the world stage.

Fans and fellow artists alike have praised the move, celebrating it as a well-deserved accolade for a musician who continues to raise the bar.

The news also follows a memorable moment from his recent “FUJI” concert in Lagos, where he shared an emotional on-stage performance with legendary gospel artist Yinka Ayefele, moving fans to tears.

From writing a song for Beyoncé to headlining sold-out shows, Adekunle Gold has remained a trailblazer.

The street renaming is a physical symbol of a legacy that continues to unfold — and a reminder to young Nigerians that global success can begin on local streets.

Also read: There are so much incentives for those willing to Invest In Nigeria – Rone

As the Afrobeats wave continues to sweep the world, Adekunle Gold’s journey from Lagos to the world remains one of its most inspiring stories.

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Laolu Gbenjo Warns Against Manipulation Over Toluwanisings’ Death

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Gospel artist Laolu Gbenjo has strongly condemned what he described as wickedness and manipulation surrounding the circumstances of the late singer, Olayemi Bolaji, popularly known as Toluwanisings.

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Gbenjo made the appeal during a night of tributes held in honour of the late musician at the Jogor Centre in Ibadan, Oyo State. Addressing the gathering, he passionately urged individuals allegedly behind any underhanded tactics to halt their actions immediately.

Describing Toluwanisings as a devoted servant of God and a man of integrity, Gbenjo noted that the late singer possessed a pure heart and was a friend to all.

Cautioning against attempts to distort facts or control narratives regarding the tragic event, Gbenjo stated that whoever was orchestrating such moves should desist. He called on attendees to collectively reject such actions, leading them in a unified stance against perceived malice.

The remarks come amid heightened emotions and grief surrounding Toluwanisings’ passing, which occurred on October 14, 2026. Fellow artistes and industry colleagues at the memorial event paid glowing tributes, demanding sincerity and peace as the public comes to terms with the loss.

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Crystal Hefner Accuses Late Husband Hugh Hefner of Rape and Coercion

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Crystal Hefner, the widow of late Playboy founder Hugh Hefner, has accused him of subjecting her and other women to sexual abuse and coercion during their relationship.

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Speaking on the “Lisa Guerrero Unleashed” podcast, the 40-year-old said she often felt obligated to comply with Hefner’s wishes, including sexually, and questioned whether some of what she experienced amounted to rape.

“I do believe that I did whatever he wanted me to do. And if that involved sex, then I just did what he wanted me to do,” she said.

Crystal recalled situations in the bedroom that left her deeply uncomfortable, stating that some things that happened “ended up just not being OK.”

She also made a disturbing allegation involving twins Kristina and Karissa Shannon, claiming Hefner attempted to pressure them into sexual activity with each other.

“That is incest. That is disgusting,” she stated, adding that witnessing the situation was “very, very hard” for her.

Crystal further alleged that Hefner would use dirty sex toys during encounters with her and other women, describing the experiences as painful and lacking intimacy.

When host Lisa Guerrero suggested that what Crystal described “sounds like rape,” she agreed.

“He’s not gentle,” Crystal said, adding that she would be left in pain afterward.

According to Crystal, Hefner increasingly sought extreme stimulation and engaged in sexual acts that she said were not consensual or intimate.

Crystal and Hugh married in 2012 and remained together until his death at 91 in September 2017. She has since moved on with marine biologist James Ward, whom she began dating in 2024. The pair married in April.

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Ms Jorji Alleges Childhood Sexual Abuse by Father

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Rapper Ms Jorji has alleged that her father sexually abused her throughout her childhood, from the age of about 11 until she turned 18.

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Speaking in a recent discussion, she said the abuse continued for seven years while her family focused on protecting her father’s image and the family’s reputation.

“My father molested me all through my childhood,” she stated. She described a wider culture in which families often prioritise appearances over the welfare of victims.

Ms Jorji claimed sexual assault was common among women she knew, including people who worked for her, with alleged perpetrators ranging from relatives to religious figures and neighbours. “There is an epidemic that is going on in our country,” she said.

She also recounted assisting a friend who was allegedly raped in Nigeria about three months ago, saying she spent approximately ₦1 million to encourage police action, though the case remained unresolved after the suspect fled.

The rapper criticised the tendency of families to shield alleged perpetrators. “Protect my father, protect the image of the family,” she recalled being told. She argued that this focus on reputation allows abuse to continue.

Ms Jorji further challenged the idea that biological ties alone define family. “Family is not about blood. Family is the people who want the best for you and you can create family,” she said. “Just because you’re born into a family does not mean that’s where you’re supposed to stay.”

Her comments form part of a broader conversation on sexual abuse, family silence and the challenges victims face in seeking support and justice.

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