Actress Stella Damasus discusses Hollywood’s narrow stereotypes of African actors, citing accent and skin tone biases as major barriers for Nigerians
The African Actor Representation in Hollywood faces significant challenges, according to seasoned actress Stella Damasus.
She recently spoke about the hurdles Nigerian actors encounter when pursuing roles in the American film industry.
Damasus explained that Hollywood’s limiting stereotypes of Africans, which she believes Nigerians do not fit, act as a major stumbling block.
The movie star claimed that Hollywood’s prevalent stereotype dictates that all Africans possess East African accents and are as dark as Kenyan actress Lupita Nyong’o.
This narrow perception, she argued, often makes Nigerian actors unsuitable for Hollywood roles.
She pointed out that most Nigerian actors who have secured lead roles in Hollywood were raised abroad, which likely accounts for their different accents.
In a conversation with Arrow House, Damasus elaborated on the issue.
And I’m like, ‘How do you think Africans sound? Because Africa is full of a million and one countries. And inside those countries, we have different dialects and different accents.
“Hollywood filmmakers insist that there is a particular accent that Africans who want to act in their industry must have. So, that’s why they forced our people to put it on… I’m like, we [Nigerians] don’t sound like that, maybe one or two small countries in East Africa. I’m Nigerian, they are Ghanaians. We are different people and we all sound different. We [Nigerians] don’t sound like this. That’s what Hollywood wants. That’s what they are used to.”
Damasus further revealed a conversation where filmmakers expressed their preference for a specific look.
“And they [Hollywood filmmakers] said to me, ‘We want an African to be very dark. That’s the kind of African that we are used to. We are not used to your kind of African. We want Lupita dark. You are not dark enough and you are not white enough to be half caste, so it would be hard to place you. You are not mixed race. Then your accent, you don’t sound American or British, neither do you sound African.’”
She concluded by questioning this limited understanding: “And I’m like, ‘How do you think Africans sound? Because Africa is full of a million and one countries. And inside those countries, we have different dialects and different accents.’”
Her insights highlight the need for broader cultural education within the global film industry.
