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Illbliss recalls Lagos rejection over Igbo rap roots

Rapper Illbliss shares how a Lagos radio presenter dismissed his chances in music for rapping in Igbo, exposing deep-rooted tribal bias in the industry.

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Illbliss recalls Lagos rejection

Rapper Illbliss shares how a Lagos radio presenter dismissed his chances in music for rapping in Igbo, exposing deep-rooted tribal bias in the industry

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Illbliss recalls Lagos rejection in a deeply personal account of his early struggles as an Igbo rapper trying to find space in Nigeria’s mainstream music scene.

Also read: Olamide New Album ‘Olamidé’ Drops June 19 with Wizkid, Dr. Dre

The respected lyricist, known for his hit song Aiye Po Gan, opened up on the Real Shareholders podcast, where he recounted being dismissed by a Lagos radio presenter simply for embracing his Igbo identity in music.

According to Illbliss, the incident happened shortly after he moved to Lagos, Nigeria’s entertainment capital, with hopes of making a breakthrough.

He had released a song titled Igbo Boy, celebrating his heritage and the vibrant spirit of his people. But the response he received from a radio presenter was anything but supportive.

“He said, ‘What are you trying to do? You can’t make it here. You’ve come here with an agenda. Omo-Igbo,’” Illbliss recalled. The presenter reportedly switched into fluent Yoruba and advised him to abandon his identity to succeed in the city’s competitive music space. “The music is good, but it won’t go far,” he was told.

Though the track was celebratory and not offensive, Illbliss said the interaction left him feeling isolated and unwelcome. The encounter exposed the unspoken tribal bias that, in his view, still pervades the Nigerian entertainment industry.

“Just looking at that guy, it made me feel terrible,” he said. “We can disguise all we want about being one nation, but the tribal divisions are incredible to handle.”

The experience didn’t stop him. Over time, Illbliss carved out a respected space in Nigerian hip-hop, maintaining his cultural voice while proving critics wrong.

His story reflects the broader challenge faced by many Nigerian artists who stay true to their roots but must navigate subtle prejudices that influence airplay, popularity, and support in major cities like Lagos.

Also read: Orezi, New Music, Big Moves

Illbliss recalls Lagos rejection not with bitterness but as a powerful reminder of the work that remains in uniting Nigeria’s creative spaces. His resilience and cultural pride continue to inspire a new generation of artists committed to telling their stories in their own language.

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Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

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Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

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The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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VDM Hits Back at Lawyers, Questions Law’s ‘Noble’ Status

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VDM

VDM lawyers criticism intensifies as VeryDarkMan defends his NBA appearance and questions employment prospects in Nigeria’s legal profession (more…)

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