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Joeboy Shares Insights on Afrobeats Global Recognition

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Afrobeats global recognition Nigeria

Joeboy explains Afrobeats global recognition, crediting Nigeria’s talent, population, diaspora, and social media for the genre’s worldwide rise

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Afrobeats global recognition did not happen overnight, according to popular Nigerian singer Joseph Akinwale Akinfenwa-Donus, widely known as Joeboy.

Also read: Davido criticizes African govts, praises entertainment’s global impact

He attributes the genre’s international rise to the expressive nature of Nigerians, a large population base, and the role of the diaspora in promoting the sound across continents.

Speaking in a recent interview with Zwart, Joeboy said Afrobeats had always been destined for global impact.

He noted that the abundance of talent in Nigeria and the quality of music emerging from the country contributed immensely to its widespread appeal.

“Afrobeats is here now because it has been a long time coming. And there’s so much talent, it’s only right that we just spread it to the world,” he said.

“Thankfully, Nigeria has a very huge population back home and even in the diaspora.”

Joeboy added that Nigeria’s cultural confidence and visibility abroad helped push the genre forward.

Naturally, we are very loud… wherever we are in the world, we like to represent.

“Naturally, we are very loud. That’s what they said. So, we are very out there. And, wherever we are in the world, we like to represent,” he said.

Beyond cultural identity, the singer also highlighted the influence of social media in connecting Nigerian sounds to global audiences.

Platforms such as TikTok, Instagram and YouTube have played vital roles in amplifying Nigerian content, making it easier for emerging artists to be seen and heard worldwide.

Afrobeats, once limited to West African circles, now enjoys airplay on international radio, performances on global stages, and collaborations with mainstream artists across Europe and North America.

For Joeboy, this evolution is not surprising—it is simply the result of talent, numbers, connectivity, and cultural pride finally meeting opportunity.

As Nigeria continues to produce chart-topping hits and dynamic performers, the genre’s influence looks set to deepen globally.

Also read: TuFace appointed Benue Governor’s entertainment advisor

With acts like Joeboy leading the way, Afrobeats is no longer just an African export—it is now part of the global soundscape.

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Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

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Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

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The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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VDM Hits Back at Lawyers, Questions Law’s ‘Noble’ Status

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VDM

VDM lawyers criticism intensifies as VeryDarkMan defends his NBA appearance and questions employment prospects in Nigeria’s legal profession (more…)

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