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‘We Owe Nobody ₦5bn’ – Kunle Afolayan Clears Air on Aníkúlápó Rumours

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Kunle Afolayan

Kunle Afolayan denies ₦5bn lawsuit rumour over Aníkúlápó, saying he owes no money and has no legal dispute with FirstBank

Nollywood filmmaker Kunle Afolayan has dismissed reports claiming he is facing a ₦5 billion lawsuit from FirstBank over financing for his 2022 movie, Aníkúlápó, describing the allegations as false.

Also read: Osun 2026: Oba Ọlẹẹgbẹ of Akingbade Ipoye Ife Kingdom Calls for Peace, Warns Against Political Violence

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Kunle Afolayan denies ₦5bn lawsuit rumour in a video shared on Friday, where he addressed concerns from fans, friends and colleagues who reached out after the claims circulated online.

The award-winning filmmaker said there was no legal dispute between him and FirstBank, adding that neither he nor his company, Golden Effects Pictures, owes the bank or any other party the reported amount.

“I try not to do this, but for whatever it is worth, and also for those who are well-wishers, friends and family who are really worried about the publication of this nonsense they are spreading around, saying we’re owing ₦5 billion, I really wish,” Afolayan said.

He joked that he would gladly accept such funding if a bank offered him ₦5 billion, noting that he would use the money for productive purposes.

“If I see a bank that will give me ₦5 billion, I definitely will take it because I’ll use it for the betterment of the country, but the honest truth is there’s nothing of such,” he added.

Afolayan explained that Aníkúlápó was produced through a partnership between Golden Effects Pictures and Netflix, describing the arrangement as a clear co-production deal.

“Aníkúlápó, even from the film, was a co-production between Golden Effects and Netflix, and it was a clear, straightforward deal. No money is owed. No money is owed to anyone,” he said.

The filmmaker also dismissed claims that FirstBank had taken legal action against him, saying he maintains a positive relationship with the financial institution.

“There is no litigation. FirstBank, we are good friends of the bank. We’ve done collaborations in the past and we’re still doing stuff, but we don’t have any issue of any sort,” Afolayan stated.

The rumours gained attention on social media after claims surfaced that Afolayan had allegedly obtained a ₦5 billion loan to finance Aníkúlápó and failed to repay the facility.

The filmmaker thanked those who contacted him over the reports and reiterated that the claims were untrue.

“Thanks to everyone who has been sharing the links and the messages. We’re not owing anybody ₦5 billion. Thank you,” he said.

Also read: Osun 2026: Oba Ọlẹẹgbẹ of Akingbade Ipoye Ife Kingdom Calls for Peace, Warns Against Political Violence

Afolayan did not identify those responsible for spreading the reports, only describing them as people known to him.

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Lagos Governor Sanwo-Olu Pays Tribute to Olu Jacobs, 84

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Sanwo-Olu

Governor Babajide Sanwo-Olu mourns Olu Jacobs as a father of Nollywood and sends condolences to Joke Silva and the industry.

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Lizzy Anjorin Questions Court Order Over Priscilla Ojo’s Son

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Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.

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Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.

The actress argued that publicising court documents before formally serving the respondent undermines the case.

“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.

Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.

Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.

The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.

The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.

An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.

Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.

Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.

The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.

The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.

In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.

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BBNaija Kess Says Big Brother Makes Life Harder

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Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.

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The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.

“Big Brother makes your life harder,” Kess said.

The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.

Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.

His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.

Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.

However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.

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