Entertainment
Ruger Afrobeats Music Passion Began with Shocking Childhood Party Escapades
Ruger Afrobeats music passion started at age 9 as he snuck into parties to dance, leading to a career now thriving under Blown Boy Entertainment
Ruger Afrobeats music passion began long before fame found him. Nigerian singer Michael Adebayo Olayinka, better known by his stage name Ruger, recently revealed that his love for music took root when he was just a child.
Also read: Joeboy Shares Insights on Afrobeats Global Recognition
By the age of nine, he was already sneaking into local parties, determined to soak in the vibrant rhythms of Afrobeats and Dancehall.
His story came to light in a new episode of the Afrobeats Intelligence podcast, hosted by music journalist Joey Akan. During the conversation, Ruger shared his earliest memories of falling in love with music.
“I was sneaking out to go to parties to listen to Afrobeats and Dancehal. I was no up to 10 years old then but knew how to dance. So I would just go to parties and shake my body,” he said.
Ruger’s boldness and enthusiasm for music from such a young age reflect his deep-rooted connection to the sounds that now define his career.
His early exposure to party scenes and live DJ sets gave him an edge in rhythm, movement, and musical intuition. These experiences would go on to shape his artistic identity in ways even he could not have foreseen.
The artist rose to prominence with the release of his breakthrough single ‘Bounce’, a sultry and infectious track that gained massive airplay across Nigeria and beyond.
The song’s success secured him a recording contract with Jonzing World in 2021. That same year, Ruger released his debut EP, ‘Pandemic’, which showcased his range and creativity, cementing his place in the Afrobeats movement.
Ruger Afrobeats music passion continued to shine through his releases. He earned acclaim for his signature style—an energetic blend of Afrobeats and Dancehall, paired with catchy hooks and smooth delivery. But his journey was not without challenges.
In 2024, Ruger made headlines when he parted ways with Jonzing World. The split followed reported tensions between him and the label’s founder, D’Prince.
Rather than retreat, Ruger chose to forge his own path. He launched his independent label, Blown Boy Entertainment, marking a new chapter in his career.
The decision signified more than just a business move—it was a statement of autonomy and artistic control. Ruger’s move echoed that of other Nigerian artists who have transitioned from label dependency to owning their creative direction.
Through Blown Boy Entertainment, Ruger now has full freedom to release music that aligns with his vision. His recent releases under the label have continued to capture audiences with their lyrical confidence and rhythmic flair. Fans have responded positively to the change, celebrating Ruger’s evolution and resilience.
Despite his success, the singer remains grounded in his roots. Ruger Afrobeats music passion, cultivated in backstreet parties as a child, remains the driving force behind his work. His story is not just one of fame but also of persistence and self-belief.
He has not forgotten where it all began. The boy who once danced in secret now commands stages with his unique blend of sound. The lessons from those childhood escapades inform the energy he brings to every performance.
Ruger continues to build a legacy in the Nigerian music scene, with plans for international tours and collaborations in the works. His story serves as a powerful reminder that talent, when nurtured from a young age, can blossom into something extraordinary.
Also read: Afrobeats: ”Nigerian DJs Don’t Get Due Recognition”- DJ Dan Bull
With each new release, Ruger Afrobeats music passion proves to be more than a childhood fascination—it’s a lifelong commitment to rhythm, culture, and expression.
Nollywood actress Lizzy Anjorin has questioned the authenticity of an interim order issued by the Lagos State High Court on 2 September 2026, restraining her from publishing photographs of Priscilla Ojo’s one-year-old son, Rakeem Mkambala, and from posting editorials concerning the family on specified social media platforms.
Anjorin raised the issue during an Instagram Live session on Friday, 4 September, after Priscilla shared a copy of the court order online.
The actress argued that publicising court documents before formally serving the respondent undermines the case.
“Your case na dead on arrival. If you post court letter on any platform before serving person wey you wan go serve, that court case na fake court case,” Anjorin said during the live session.
Her comments came shortly after the High Court of Lagos State granted an ex parte application brought by Priscilla, her husband, Tanzanian singer Juma Mussa Mkambala, and their son, Rakeem.
Justice Yetunde Adesanya issued the interim order in Suit No. LD/ADR/6646/2026.
The order restrains Anjorin, as well as people acting under her authority, from publishing, posting, circulating, uploading or broadcasting photographs of Rakeem on specified social media platforms, including Instagram, Facebook, WhatsApp and TikTok.
The court also directed Anjorin to cease publishing or broadcasting editorials concerning the applicants on the platforms covered by the order.
An ex parte order is made at an interim stage without the respondent being heard. The order is therefore not a final determination of the dispute and remains subject to further proceedings.
Priscilla shared the certified copy of the order on her Instagram Story on Friday, bringing the legal development into public view.
Anjorin’s reaction centres on the timing and manner in which the court documents were publicised. Her assertion that such publication makes a case “fake” is her own claim and is not a finding contained in the court order.
The development marks another chapter in the prolonged public dispute between Anjorin and Priscilla’s family, particularly Priscilla’s mother, actress Iyabo Ojo.
The disagreement has played out largely on social media and has previously resulted in legal action, including a ₦1 billion defamation suit filed by Iyabo Ojo against Anjorin.
In recent weeks, the dispute has also drawn Priscilla and her young son into the controversy, following public comments by Anjorin concerning the family.
Kesiena Tony Adjekpovu, popularly known as Kess, has said that participating in Big Brother Naija can make life harder, offering a candid reflection on the challenges that may come with the reality television experience.
The former Big Brother Naija housemate made the comment in a statement shared on social media, where he suggested that winning or simply taking part in the reality show does not necessarily make life easier after leaving the house.
“Big Brother makes your life harder,” Kess said.
The remark has drawn attention because life after reality television can bring a different set of expectations, particularly as former housemates adjust to increased public attention and the pressure that can accompany visibility.
Kess was a housemate on the seventh season of Big Brother Naija, which aired in 2022. He entered the show as a businessman and was among the contestants who competed for the season’s grand prize.
His time on the programme also placed him in the public eye, giving viewers an opportunity to follow his personality and relationships inside the house.
Kess’s latest comment offers a more reflective view of the reality TV platform, suggesting that the experience does not end when a contestant leaves the house.
However, he did not provide further details in the available post explaining which specific aspects of life after Big Brother he was referring to.
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