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Ogun State Planning Law Misapplied in Asoludero Court Demolition Threat

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Ogun State Planning Law

Legal experts argue that the Ogun State Planning Law was misapplied in the case of Asoludero Court, a property built in 2004, long before the law existed

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The Ogun State Planning Law is at the center of a legal and political storm following the state government’s move to issue demolition threats against Asoludero Court, a landmark property completed in 2004 by former Governor Otunba Gbenga Daniel.

Also read: Ogun State Power Clash: Abiodun Serves Quit Notice on Daniel’s Buildings

Legal analysts argue that the Ogun State Urban and Regional Planning and Development Law No. 61 of 2022 cannot be applied retroactively to buildings constructed long before it was enacted.

The law’s sudden use against Asoludero has been described as a misapplication that violates basic principles of legal fairness and due process.

In a move that experts say violates due process, the Ogun State Planning and Development Permit Authority issued three enforcement notices—a contravention notice, a quit notice, and a demolition threat—all on the same day, with execution pressure within just three days.

Standard procedure, as dictated by the planning law itself, mandates a Demand Notice first, allowing the owner to present documentation.

Only after a genuine infraction is confirmed should contravention or demolition actions be considered.

This blitzkrieg-style approach, legal analysts argue, suggests administrative aggression, not routine enforcement.

This incident echoes the 2023 demolition of DATKEM Plaza in Ijebu-Ode, a property linked to Daniel’s wife.

That demolition occurred at night, on a Sunday, raising serious concerns about legality, motive, and due process.

Critics point to a pattern of targeting properties associated with Gbenga Daniel, who now serves as a senator, suggesting that these actions may be politically motivated rather than legally necessary.

Government claims that the Asoludero action is part of a wider property audit ring hollow when juxtaposed with reports that Governor Dapo Abiodun’s Iperu residence allegedly violates setback regulations—without consequence.

If setbacks and compliance were truly the issues, then enforcement must begin from the top and apply uniformly, not selectively.

Designed by renowned architect Arc. Kayode Anibaba (FIA), Asoludero Court is a multi-purpose complex that includes:

  • The Daniel family residence (completed in 2004)
  • A library and mini-museum documenting Ogun State’s history
  • The Gateway Front Foundation offices, established in 2001
  • A Leadership Training Academy and Asoludero Hall seating 300

The complex has long served educational, cultural, and philanthropic roles—contributions now at risk of being erased.

Gbenga Daniel’s decision to base his investments—housing, hotels, public institutions—in Ogun was widely hailed as a boost to the state’s development.

Today, those same contributions appear to be under siege, not for non-compliance, but for political rivalry.

This sets a dangerous precedent: in Ogun State, your property rights may be overridden by political motives, undermining investor confidence.

By applying a 2022 law to a 2004 building, ignoring proper procedure, and targeting politically exposed persons, the Ogun State Government risks not just legal embarrassment but long-term damage to its credibility, rule of law, and investment climate.

Also read: EFCC Investigate Dapo Abiodun, Exposes Corruption

Without course correction, this could mark a troubling shift—where planning laws are no longer tools of order, but weapons of retribution.

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Aisha Achimugu’s Glamorous Rendezvous With Paris

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Paris has always had a way of making fashion feel less like clothing and more like theatre. And when the world’s style aristocracy gathered for the Spring/Summer 2027 season, Nigerian high flying businesswoman, Aisha Achimugu, arrived with the kind of polished glamour that commands attention without demanding it.
Against the timeless backdrop of the French capital, Achimugu stepped into the world of Paris Fashion Week in a look that married sophistication with modern femininity. Her ensemble was defined by a refined silhouette, impeccable tailoring and the kind of carefully considered styling in which every detail appeared deliberate. The proportions were elegant, the finish luxurious, while her accessories added just the right measure of sparkle and personality.
Her beauty look complemented rather than competed with the outfit. Immaculately styled hair, luminous makeup and a poised, confident bearing completed the picture, allowing the clothes to retain their quiet authority. It was a lesson in restraint: nothing appeared excessive, yet every element, from the jewellery to the finishing touches, contributed to the overall effect.
The real strength of Achimugu’s Paris appearance, however, was in the details. The interplay of texture and silhouette gave the look dimension, while the accessories provided those subtle flashes of glamour associated with the best society dressing. There was an understanding of proportion, balance and occasion, a recognition that at Paris Fashion Week, being noticed is not necessarily about wearing the loudest look in the room.
For Achimugu, fashion has never seemed like an afterthought. It is part of the persona, the jewellery, the sculpted silhouettes, the luxurious textures, the immaculate finishing and that unmistakable confidence of a woman comfortable in her own skin.
Her Paris appearance offered yet another glimpse into the glamorous lifestyle of the Felak Concept Group boss, whose public persona has over the years straddled business, philanthropy, high society and fashion.
In the city, amid the fashion houses and international style elite, Achimugu appeared more than as a spectator but as a Nigerian woman confidently occupying a global fashion space. Her look spoke in the sophisticated language of Parisian dressing, polished, assured and intentionally glamorous, while retaining the unmistakable confidence of a woman bringing her own sense of style to the occasion.
And as the lights of Paris dimmed on another fashionable season, her appearance left behind the unmistakable impression of a woman who understands that fashion, at its most powerful, is as much about presence as it is about clothes.

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Danielle Adewusi Crowned Miss Universe Nigeria 2026

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Danielle Adewusi

 

Danielle Adewusi is crowned Miss Universe Nigeria 2026 after defeating 19 delegates in Lagos, earning the chance to represent Nigeria in Mexico (more…)

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Rotary Club Ikeja Trains 60 Interactors in Leadership

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Rotary

Rotary Club Ikeja leadership training equips 60 Interactors from five clubs with practical skills in leadership, teamwork and community service (more…)

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